Guest post: Oscar and Javier of explore Switcher Studio for iPad with external cameras

I met the guys Javier and Oscar, behind at Mojocon, they are two absolute gents. They also blog about mojo at

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They shot this really great mojo teaser about Mojocon for which I am exceptionally grateful.

Based in Alicante, Spain they provide comprehensive mojo courses and production facilities. Their blog is a great source of information about Mojo, in Spanish and English. Earlier this year on the Mojocon Facebook group they posted a thread about using Switch Studio (aka RecoLive) with external devices, i.e. non-iOS devices. I asked would Oscar be interested in sharing his experiences via a guest post and he kindy agreed. A colleague of mine, Leola Lillis previously posted about Switcher Studio on this blog.


How to make a mobile multi-camera production with iPads, iPhones, or any other video source.

How to add a video source to Recolive Multicam and Switcher Studio

Recolive Multicam is an application developed to record multi-camera productions using a WiFi network connection that allows you to sync up to 4 different video sources running on iOS and/or Mac devices. The norm is to use the built-in camera of your iPad as one of the cameras, and as the live mixer of all other video signals.

01 portada-void

Switcher Studio is a mobile video app that performs the same functions as Recolive Multicam, but additionally allows you to stream LIVE video while recording, as wells as, to view it using an HDMI adaptor or via Airplay.

Check-out the following post to learn all about how I’ve managed to go further into the use of these apps by using an external video source that does not run on an iOS device.


Recolive Multicam and Switcher Studio: multi-camera video apps. 

I have recorded many videos using an iPad4 and an iPhone 5S ( with Recolive Multicam ( This is without a doubt one of my favorite apps, because it allows me to have my own TV studio in the iPad. I can choose among the different video sources right there live; enhance the production with signs, tittles, headlines, overprinting or logos; use transitions; mix images Picture in Picture; or divide the screen; I may even select the device that will be the main provider of the audio signal.

Switcher Studio was developed after Recolive Multicam and widens its many functions allowing multi-camera streaming productions

From now on, thanks to apps like this one – with a very simple learning curve-, anyone, either a person or an institution will be able to record cultural or sports events, interviews, round tables, or simply create video courses. Let me give you an example to illustrate it, with a challenge that I have taken on recently.

02 Pantalla-Recolive-Multicam
02 Pantalla-Recolive-Multicam

Recording a Surgical video using Recolive Multicam

A few days ago, while teaching one of our recording with mobile devices in-house seminars –with our brand YOS Contenidos ( -, I was asked about the possibility of a multi-camera production in an operating room mixing 3 different video signals as follows:

– One from an iPad recording a general shot of the room, showing the surgeons around the surgical table (the iPad would also act as the main mixer of all other video sources);

– A second one from an iPhone focusing on the patient area where the surgeon keeps his trocars (surgical instruments used to perform procedures without practicing open surgery)

– Finally, the third one would be the image provided by a trocar, or tube equipped with optical elements that sends images from the inside of the human body to a screen, guiding the surgeon during the procedure.

As you have probably guessed by now, the problem is that the laparocopy video is not an iOS or Mac device, therefore, incompatible for the Recolive Multicam recording (the use of which would make them save a lot of money).

The challenge: Full screen live preview using a video capture card

As I’ve mentioned before, Recolive Multicam can only mix video sources from iOS devices using the corresponding app, or running it from Mac computers that have the appropriate free software, Recolive Capture (, to share the screen or to shoot with the laptop camera. That seemed to be the solution.

03 Recolive-Capture
03 Recolive-Capture

I thought that maybe connecting a MacBook to a capture card device showing the trocar signal would be enough…

I needed video capture software that would preview full screen, but, none of the software that I tried, including BlackMagic Media Express, did the trick. I asked my streaming expert friends about it, but they could only advise about purchasing hardware, not software; therefore, the costs were skyrocketing.

04 Blackmagic-Ultrastudio-cables
04 Blackmagic-Ultrastudio-cables

After several try-outs, and a lot of Internet searching, I found a video in a French site that explained how to use a MacBook screen to play with a Playstation using Blackmagic capture cards: full screen!!!  (

We could make full screen live preview from the capture card, FullHD (depending on the latptop and the source), by using the free software capabilities of Pixel Conduit.

Solution: “Full screen live preview video from capture card”

Let me fully describe all the steps taken in the test I run, and that I hope to be using very soon in an operating room.

Equipment used:

  • 2 iPhones 5s with Recolive Multicam app
  • 1 iPad 4 with Recolive Multicam app
  • 1 MacBook with Recolive Capture software
  • A video capture BlackMagic UltraStudio Express card
  • 1 Canon HDV AX-H1 camera (video source used as the “trocar” for this test)
  • Free software from Pixel Conduit ( )

05 Pixel-Conduit05 Pixel-Conduit


1. Preparing images, lowers, and logos; saving them into the iPad that will be used as the mixer.

2. Setting up the video input from the Mac through Blackmagic Media Express and the video capture Blackmagic card. In this case, PAL 1920×1080. I will turn off the software once I see the signal.

3. Setting up all video sources, 2 iPhones and the Mac screen, through Recolive Multicam.

4. Setting up Pixel Conduit to recognize the video source coming from the Blackmagic card and previewing it full screen. See video, isn’t it simple?

5. Selecting the transitions that I will be using, as well as the durations in the iPad; select the multiviews; fix the White balance, the exposure and the focus of the iPhone cameras

Silence in the set: 3, 2, 1… let’s shoot!

And this is the test result: (In Spanish)


The option to use an external video source with Blackmagic capture card allows me to increase the options to shoot with several iPhone and iPad devices into any other video source.

Furthermore, if you would like to shoot with several microphones and you have a sound table, you may use it as a mixing console for the audio signal, connecting the output of the table to the iPad mixer through a digital interface such as iRigPro or Shure MVi, or an analogic interface such as iRigPre or a Tascam iXZ.

There is absolutely not a more affordable way to do up to 4 sources multi-camera productions.

06 Maria-iPad-recolive-live-recipes-CookPad-full-size
06 Maria-iPad-recolive-live-recipes-CookPad-full-size

Those were the pros, but I should mention the cons, there is a minor audio delay, around 0,1-0,2 seconds, from the external video source that does not come from Mac or iOS devices.  In this particular case, this will not be a problem for us, as the image from the laparoscopy does not have audio; although, if you would like to have someone speaking from that source, you will run into an unavoidable de-synchronization.

Finally, Recolive Capture only shares the screen of the MAC computer, but not the sound.

I hope that you will find this to be a useful post. I can’t wait to try this new option of multi-camera production in the operating room… Here is hoping that I will not faint while doing it….

I would like to thank Glen Mulcahy for his invitation to publish this translation in English of our article in his reference blog to all of us who record with our mobile devices.

Thank you also to Gabriele Mondada, CEO of Recolive Multicam to always respond so quickly and so gracefully to all my questions.

If you would like to read this post in Spanish, please visit our blog “el Taller Audiovisual” ( ), fully devoted to recording with mobile devices.

Xkuty Recording 02 Workshop PBC Coworking October 2015 Jovempa - Elda Major 10-30-15Xkuty Recording 03

Thank you!

DSLRPros Sp1 Handheld Smartphone Gimbal- Initial thoughts

Have you ever looked back at a video you shot handheld on your smartphone on a big screen and couldn’t believe how shaky, wobbly, jelly like the footage was?

Most smartphones are prone in varying degrees to this “jello effect” aka jitter and also to rolling shutter which makes vertical lines in the shot bend when you move above a particular speed. One way to avoid these issues is to put your smartphone on a tripod or a flat surface to KEEP IT STEADY! But there are alternatives if you really must shoot handheld with movement…I recently blogged about some of the current Smartphone and GoPro Gimbals that are available or are about to launch so I’m not going to repeat any of that just click the link above to read that original article. I’ve had my eye on two of the ones I mentioned and yesterday the first order arrived:

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The DSLR Pros Sp1 Handheld Smartphone Gimbal.

I avoided the usual unboxing video and decided to jump straight in. I put the 3S 11.1V Lipo battery on charge and then prepped to take the SP1 for a test.
Unusually I decided to use Google Glass to record the setup and test also so you can see what I see (through Glass) and what the iPhone 5s is shooting using the Gimbal as two separate recordings.

A few notes.

The SP1 is listed on the DSLRPros Website as $299 but, as I mentioned in the first video if you are in Ireland, theres a surprise in store when you go to checkout and select your shipping options:

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The CHEAPEST delivery option is $153.41 in addition to the $299! Maybe its just me but that seems like an incredibly expensive price for a small box. Perhaps the Lipo battery is seen as high risk and is partly responsible but even still I think those prices are WAY WAY WAY too expensive. So much so that I tweeted DSLRPros about it on 31st July but have still received no response from them!

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The other cost to bear in mind (in Ireland anyway) is the customs duty which in this case amounted to a further €70 bringing the grand total for this unit to a whopping $546.16 (€407) 

Anyway in spite of the cost this is the first of its kind that is already shipping and I’m already aware of how effective the DJI Zenmuse H33d gimbal is with the GoPro on my Phantom Quadcopter so I had to check this out.

Interestingly, Once you open the handle the battery is clearly labeled…
BeHolder 3S 1000mAh 11.1V
and as the SP1 only comes with one battery included I decided to google the BeHolder name to see if I could source spare batteries…

Thats when I discovered that the SP1 is re-branded by DSLRPros, it is in fact made by but it appears they don’t sell direct via the website. This would lead me to believe that the Ikan model in the post mentioned above may well be the exact same unit from Teamrebeldesign but I cannot confirm this.

UPDATE: @Lucas_Afrilive contacted me to say that in fact TeamRebelDesign DO sell direct- here is the link


Anyway the point is..IS IT WORTH €400? Having played with it for several hours now I’m actually inclined to say YES – it would be much more tempting if it were cheaper though, but there is no doubt that it really does make motion VERY smooth and its much much easier to use than a manual steadicam like the Smoothie. One of the really nice features is you can “lead” it into turns by twisting you wrist and it gently follows the move. I’ll be playing with it more over the weekend and if i shoot anything half decent I’ll share it but as a closing note I do think this is a landmark in Mojo filmmaking and I’me really excited to see how these units develop over the coming months.

I found the manual on Slideshare in case you need it:

Or alternatively it can be viewed here


PS My only disappointment with the SP1 is that I can’t balance it with my MoonDogLabs Anamorphic Adapter which is such a shame as I would love to shoot some 2.40:1 Footage with it! :(

The Jello Effect in Mojo and options for stabilising your Smartphone or GoPro

If you are a regular follower of the blog you’ll know I talk about the iPhone as a mobile journalism solution a lot, but I also occasionally blog about one of my other interests: UAV (Unmanned Aerial Vehicles) or “Drones” as some call them, though thats a title I loathe.

Anyway the two topics have a common thread and that thread is becoming quite a substantial crossover. UAVs like the DJI Phantom have the option of a Go Pro Stabiliser Gimbal called the ZenMuse H3-3D. What this device does is it corrects the position of the GoPro relative to the pitch/yaw/tilt of the UAV. Or in simple terms it keeps the GoPro steady while the UAV is moving and tilting around.

Image via

The iPhone (particularly the older 4/4s) was extremely prone to rolling shutter and jitter-sometimes referred to as the “Jello Effect”. If you’ve tried walking behind a fast moving subject you may often notice the extreme shake in the picture and if you Pan (turn left or right) quickly all the vertical lines will bend very noticeably. During our Mojo courses I strongly recommend that trainees get into the habit of using either a tripod or monopod but thats not always practical. This is where the UAV Gimbal Stabiliser technology is now starting to have an impact on smartphones and GoPro.

A growing number of manufacturers are using the same Inertial Monitoring Unit Chip (IMUs) as those used in UAVS to create handheld brushless motor gimbals for Smartphones and GoPro. I’ve been trying to decide which one to buy for some time so I thought I’d share the ones I’ve been considering in case you are in the market for one also.

This is a THINGLINK image grab – If you click it you will be redirected to the Thinglink site where you can click on each image and go to the manufacturers website to get more information and pricing.

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Its probably worth mentioning that these handheld units are baby versions of the much bigger and more expensive Stabilisers like the pioneering  FreeFlyCinema Movi M5 | M10

and many of the others who have subsequently created their own versions.

If you want to see what can be achieved with these handheld stabilisers then checkout this Playlist

RTE Mobile Journalism – Where it began, where we are now and where we are going…(potentially)


Back in late 2010 I was working in the Technology Division of News in RTE and I had bought an iPhone 4 for myself, which I had, like every other iNewbie loaded with Apps to try out. I started investigating accessories for the iPhone beginning with the Owle Bubo which was one of the first iPhone Tripod mounts. After a few months of testing things and seeing what worked or didn’t I had created-by accident- a small production kit and I showed it to the then Director of News Technology: Ray Purser. After a bit of experimentation he suggested I create a presentation and that we pitch a pilot project to the then Director of News and Current Affairs: Ed Mulhall. A few days later we delivered the pitch and Ed asked us to show it to some other RTE management and the general consensus was – there was definite potential and it merited further exploration..and so began my mojo project.

Within 6 months I had tested thousands of Apps- seriously! But the end game was I had assembled a selection of Apps which allowed you to improve the quality of the video above the standard iOS Camera and also allowed basic editing on the device. I had been training video journalists in RTE for a number of years at this stage and I was also sent annually to assist with the Circom Regional VJ training course. It was on this course in 2011 that I showed the gear and Apps to the trainers: Karol Cioma, Tony O’Shaughnessy and Darko Flajpan on the VJ course.

While in Budapest I shot a short tutorial video on the iPhone and edited in my iPad then sent the finished edit back via FTP. I subsequently posted the video online (9/10/2011) and its been viewed well over 5,000 times:

After sharing this proof of concept I was asked to present the project at the next Circom Conference which was held in Malmo Sweden in May 2012. The one hour presentation was well attended and the response was overwhelmingly positive. With the result that the Circom executive asked me to develop a mobile journalism course for them. That November (2012) I led the first of the RTE mojo courses for Circom and I was joined by John Inge Johansen from NRK, and Karol Cioma who had championed the idea and Darko Flajpan whom I had worked with previously for VJ training.


Since then I’ve led three Mojo courses for Circom and I’ve blogged about them here and here but Mojo training has taken me beyond Circom to working with AlJazeera and elsewhere.

Its odd to look back now after just four years of development but at the same time its been a very interesting journey. Watching what BBC, NRK, Aljazeera, Skynews, and other are doing in the space is really exciting.

This May I missed the Circom Mojo course which was held in Dubrovnik, Croatia but Philip Bromwell, a colleague from RTE and someone I admire hugely as a storyteller, took my place.


Interestingly on the course a lot of energy was spent testing Microsoft Lumia devices versus the iPhone. I’ve had a Lumia 1020 on loan from Microsoft for months now and I do think it has an absolutely exceptional camera: 41Mpx! which puts the 8Mpx iPhone camera in the shade. However the current weakness for the Windows Phone/Lumia range is not hardware but software, there simply aren’t as many pro grade production Apps as there are for iOS. What is interesting about the Windows Phone/Lumia is that, like Apple, Microsoft have a limited range of phones but they now control the Nokia hardware so they can, unlike Google’s Android platform, guarantee performance on their devices, this will, in time, give Microsoft a genuine advantage and hopefully secure market share for them where, for example, they currently hold just 3% of the US Smartphone Market Share.


As of writing a new Circom Mobile journalism course is in the planning with an associated competition called the “Mojo Challenge” which will take place in October. The project is being led by Karol Cioma.

I’ve chosen to not be involved as I have invested a huge amount of time in developing the iOS training programme and though I am interested in both the development of both Windows Phone and Android I still believe that iOS offers the best, most diverse and powerful solution for mobile journalism at this point in time. Windows Phone is not mature enough yet, it needs more Apps and greater penetration and the recent announcement by Microsoft that they would be shedding 18,000 jobs from their global workforce, 2/3 of which will be from their newly acquired Nokia division shows that Microsoft are going through a refocusing period where lots of things can, and will, change.

Meanwhile it is widely rumoured that Apple will release their next iPhone model(s) in September which may see a new bigger class of iPhone 6. This I think could be revolutionary for Mojo- an iOS Phablet may very well be the ultimate mojo solution. Small enough to still be discreet and portable, yet big enough to allow proper video editing and processing. The Apps are already mature and the workflows proven.

In fact today I decided to pull together the stories that my colleagues and alumni of the RTE Mojo courses have produced and I think it pretty impressive – but I would say that wouldn’t I. I have to give credit to Philip Bromwell also as he and I are now training staff together and the combination of our skills, his storytelling and journalism, my technology and workflows is proving very effective.

For me, the emphasis now shifts to what next…I’m trying to secure funding to organise the first (to the best of my knowledge) dedicated Mobile Journalism Conference. The idea behind @MojoConIRL is to bring together the global community of mojo trainers, practitioners, evangelists and storytellers so we can share our knowledge and bounce or other like minded creatives. The problem is I had planned to do this at the end of October 2014 and that is looking more and more unlikely as time passes. Securing funding to book the venue, marketing, flights and accommodation for the speakers and panelists is proving to be far more difficult that I anticipated.

Sure, I’ve been asked can I not just  launch the tickets and use the ticket revenue to cover the costs-if they sell fast enough but thats not viable for such a niche event. I will know by the end of this week if I can pull off MojoConIRL or if I will have to defer it to early 2015. The thing that disappoints me most is that so many incredibly talented people offered their support and participation and I was getting really excited at the prospect of bringing these people together in Dublin to interact and share.

Meanwhile, I have enquiries for me to join sessions at a number of pretty high profile conference engagements over the next few months including the World Economic Forum Global Shapers conference in August, the European Broadcasting Union News conference in Paris in September, the International Broadcasting Conference in Amsterdam in September and the EBU Training Academy conference in October. I will post updates (if/) as these events are confirmed.

In the meantime if you want to learn about Mojo then here are links to resources I’ve posted on the blog over the last few months all distilled into one list:

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Mojo Hardware options: here and here
Original Post: Mobile Journalist Gear: Mojo Tripods | Hahnel Triad Compact C5 Tripod/Monopod combo

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Mojo Applist: here
Original Post: Interactive Mojo App list for iOS via Thinglink


Mojo Sequences deconstructed: here
Original Post: The Ultimate Mojo CheatSheet! Sequences Deconstructed, examples, apps – everything you need (except the gear)

Cheatsheets for:


FilMicPro : here
Original post: FilMicPro “At a Glance” CheatSheet & Simple Tutorial


Original post: Hokusai – An advanced Multi Track Audio Editor for iOS (iPhone & iPad) FREE CheatSheets HT @wooji


iMovie   Page1 Page2 Page3
Original post:New: iMovie CheatSheet PAGE3 – Advanced features. Free download for all #mojo




FilMicPro “At a Glance” CheatSheet & Simple Tutorial


I just noticed that FilMicPro have redesigned their website. Looks very nice indeed. Also impressed that they have chosen to outline the new features expected in v4.0 – the new release due in Autumn.
Screenshot 2014-07-22 00.03.59

That means that I will probably have to re-do this CheatSheet in a few months but nonetheless I still think its a handy reference.


Theres a High Resolution A3 version available to download here
Here too is a refresher tutorial for the slightly older version of FilMicPro – this will be updated for V4 upon release.



Interactive Mojo App list for iOS via Thinglink


I used to give Mojo Trainees a PDF list of my favourite Apps but that’s so damn old school so instead here is a ThingLink with interactive links to my favourite Apps.

Click the image to explore!

Sorry I have t redirect you to their site but doesn’t support iFrame embedding.

Let me know if any of the links don’t work or if Apps disappear from the Appstore (which happens – quite a lot!)

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MoondogLabs 1.33x Anamorphic Adapter for iPhone 5/5s Unboxing and FCPx Squeeze tutorial


I ordered a MoondogLabs 1.33x Anamorphic Adapter a while back. Their Kickstarter campaign  caught my interest,  particularly when it emerged that they had reached out to FilMicPro to have an In-App Squeeze option added!

So you ask Whats an Anamorphic Lens Adapter and Why would you want one?

Here’s a quote from the MoonDogLabs Kickstarter page:

“Anamorphic lenses were introduced for filmmaking in the 1950’s to create an immersive, panoramic experience intended to compete with the widespread adoption of television.  In addition to a wide aspect ratio, the anamorphic aesthetic is characterized by horizontal flares, distortion that creates a unique sense of depth or dimensionality, and oval “bokeh” or blur for out-of-focus areas. For these artistic reasons, anamorphic filmmaking has been enjoying a decades-long renaissance.  However, due to the complexity and expense of the optics involved, anamorphic lenses are not readily available to most independent filmmakers.  We believe there are stories best told with an anamorphic aesthetic, so we have developed an affordable 1.33x Anamorphic Adapter specifically for the iPhone 5/5S.”


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So my Adapter arrived this morning, as it was a U.S. import I had to pay the Customs and Excise import duty (€41) on top of the lens price of $199. So not cheap, particularly on this side of the pond and not for everyone, but if you are a budding Conrad Mess or Michael Koerbel  and you are after that “Cinematic” feel for your epic iPhone short Film then this is definitely something you need to look at…

I took the Adapter out for a quick test shoot, using the current version of FilMicPro, and then using the footage I imported it into my Mac so I could create a simple project in FCPx to show you how to SQUEEZE the footage to the correct Aspect Ratio.

Remember, the new version of FimMicPro will have an option in the menu to allow you to Squeeze the footage In-App-no release date from Cinegenix as yet but will keep you posted. In the meantime heres that tutorial.

Hokusai – An advanced Multi Track Audio Editor for iOS (iPhone & iPad) FREE CheatSheets HT @wooji




Hokusai is a multi track audio editor for IOS which is very powerful. Aside from the core feature of multi track audio it also supports the Sonomo Audio Copy/Paste feature which can “bridge” the sandbox between Apps allowing you to move audio clips/files from one App to another. Its also supports the Apple OPEN IN protocol – both of these features mean you can easily import and export audio clips between other Apps like Twisted Wave-One of my other favourite Audio editing Apps.

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Hokusai is free to download from the App Store but in fact to get the full use of it you need to purchase advanced features in App. If you buy all the features you get a “All-In Bundle” for €8.99.

Screen Shot 2014-06-25 at 12.51.34

I checked the Developers Website to see if there were any tutorials for the App or to download the manual.

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There are tips on the site but to get the manual you have to email the developer via the contact page on the site. I did this yesterday and he kindly and quickly sent it to me. If he grants permission I will link to it here.

The only issue I had is the manual is quite “wordy” : (11 pages) with no illustrations or images so, being a visual learner I decided to create CheatsSheets like those I’ve created for iMovie previously.

You can download the 3 sheets as PDF FILES here:




MukuLabs Shuttr – Bluetooth Shutter remote control for iOS and Android- unboxing and review


I had a play today with the MukuLabs Shuttr Bluetooth controller and I have to say I’m really impressed.

The device is neat, well built, simple to use blah blah blah but the thing that really impressed me was the bluetooth range. Watch this to see why…

So is it worth the splurge of €30/$39 for your Mojo Kit? I damn well think so! To be able to trigger your camera (photo/video) from that distance is nothing short of brilliant.

Very Handy.


A selection (not exhaustive) of iPhone media workflows as an infographic of sorts

A selection (not exhaustive) of iPhone media workflows as an infographic of sorts

A selection of iPhone media (photo/video) workflows to remind MoJo trainees of some of the options available to them to get their finished stories off their iPhone. There are others also ;)


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